CALL FOR SPECIAL PRICING!!!
Introducing our new flagship, the Nord Stage 2 with Nord Sample Library-compatibility, the B3 and transistor organ engine from the C2, MIDI over USB and more memory for your favorite sounds. All in an amazingly user friendly interface where all vital functions are only button away!
Representing a stunning new take on the famous Stage series, the Nord Stage 2 is our flagship instrument line. Utilizing our very latest sound generation technology in the three categories of Piano, Organ and Synthesizer combined with a well thought-out, user friendly interface, a choice of premium keybeds and an almost obsessive level of quality control, the Stage 2 truly sets itself apart as an instrument for the professional performing musician.
The Stage 2 comes in three models: The Stage 2 HA88 and Stage 2 HA76 feature our new top-of-the-line fully weighted Hammer Action keyboard. The Stage 2 SW73 features a 73-note Semi Weighted Waterfall keyboard. Apart from the keyboard type and the number of accessories available, all three models have identical features.
THE SOUND INSIDE
The Stage 2 has three sound generating sections; Piano, Organ and Synthesizer, all of which can be used simultaneously. Furthermore, up to two sounds from each section can be combined in a single program for massive sonic flexibility.
The Stage 2 Piano section has evolved from the multi award winning Nord Piano; featuring our state-of-the-art sampling techniques the Stage 2’s pianos capture the extraordinary nuances and real character of the individual source instruments. Combined with the intelligent String Resonance that reproduces the sound of the piano strings resonating at their fundamental or harmonic frequencies when other strings are played, and compatibility with the optional Nord Triple Pedal that adds Dynamic Pedal Noise – the result is breathtaking realism and an unsurpassed expressiveness.
An all-new feature in the Nord Stage 2 is the Long Release function. With Long Release activated you get a slightly longer release more suitable for legato playing. This important feature reflects adjusting the damper tension in an acoustic or an electromechanical instrument.
The Nord Triple Pedal (optional accessory) features our unique dynamic sustain pedal that gives you exceptional control of the mechanical noise during operation and also sostenuto and soft pedals for half-pedaling and "release and catch" techniques.
In addition to vivid acoustic Grand and Upright pianos, the Piano section also features some of the finest, most desirable vintage electric pianos. The Stage 2’s piano sounds are future-proof thanks to its compatibility with the Nord Piano Library. This free online library is continuously updated with both upgraded existing pianos and all-new pianos to keep your instrument constantly renewed.
Over ten years have passed since we made our first digital model of a tone wheel organ. The Stage 2’s dedicated organ section now uses our third generation B3 Organ model, the same as found in our acclaimed Nord C2 Organ.
Considered by many to be the most accurate emulation of the B3 ever, the Stage 2’s organ model is based on the analysis of the signals from each of the 91 spinning discs inside several original instruments and painstaking work on understanding exactly how all the components interact with each other. The virtual circuitry reacts not only to the settings on the panel but also during the real time performance. The Stage 2 will faithfully reproduce the important foldback and energy robbing characteristics; the latter will produce the gentle compression effect that makes those lovely smears absolutely wonderful. There are 3 tone wheel modes that allow you to switch from a clean, factory spec’d instrument to a worn and battered workhorse with many years of touring.
We also created carefully modeled emulations of two of the most famous transistor organs from the 1960’s, the Vox Continental and the Farfisa Compact. Alongside the organ’s themselves, the Stage 2 features our very latest rotary speaker simulation derived from the C2. Incorporating the acoustic variations that occur as a physical rotating spreads the sound around in a room, they bring the Stage 2’s organs to life with remarkable realism. In terms of control, “Draw buttons” and LED bar graphs have replaced the original mechanical drawbars. This gives you the advantage of always having the correct drawbar settings after changing preset. For Organ sounds only, the Stage 2’s keybed is programmed to respond at its highest trigger position, resulting in authentic feel and allowing lightning fast organ techniques.
The Stage 2’s powerful new synthesizer engine was built from the DNA of the Nord Wave. Capable of classic analog synthesis, three operator FM synthesis, Wavetable synthesis and, crucially, compatibility with the Nord Sample Library. The Nord Sample Library not only give Stage 2 owners access to the huge free library of world-class sounds, including the famous vintage Mellotron and Chamberlin samples previously only available to Nord Wave and Nord Electro 3 users, but thanks to the included Nord Sample Editor for Mac and PC, allows user-created samples to be loaded into the instrument and thus opening up a whole new creative world of sound.
The Synth engine itself features classic analog synthesis with dual saw, hard sync and pulse wave modulation, three-operator FM synthesis with 32 different modulation frequencies, Wavetable synthesis with 62 waveforms and Sample based synthesis. A new great-sounding multimode filter features 12 and 24dB low pass, high pass, band pass and notch filters. And with an Amp envelope, Modulation envelope, an LFO, and Unison control, the Stage 2’s synth capabilities are hugely powerful, delivering amazing on-stage sound.
The Synth section also features a new Arpeggiator that can be easily synced to the Stage 2’s Master Clock for perfect timing with other elements of the Stage 2, including its effects.
PROGRAMMING AND CONTROL
To make programming and on-stage control as simple as possible we have arranged the sound generators and controls of the Stage 2 into dedicated sections – Piano, Organ and Synth. Not only does this make for a very intuitive approach to programming but also instantly shows you which settings are active. There are no deep menus, no complicated screens to navigate. All vital functions are controlled by dedicated single-function knobs.
In addition our patented Pitch Stick and Modulation Wheel allow maximum musical expression and our efficient Morph Grouping technique is also included, allowing you to assign sound and effects parameters to physical controllers.
The Nord Stage 2 wouldn’t be a master keyboard if it couldn’t control external devices with ease. The Extern Section is designed solely for this purpose, so that any MIDI-connected gear gets seamlessly integrated with the Stage 2’s built-in instruments. Zones, splits and layers are handled exactly as if the external equipment was a part of the Stage 2 itself. All settings are saved together with a Program so advanced setups can be immediately recalled in real-time during a performance. You can even use the Extern Section to automatically transmit Bank Select and Program Change messages to your external units.
Naturally, a keyboard is not just about the sound but also the feel. The Stage 2 HA88 and Stage 2 HA76 feature our new top-of-the-line fully weighted Hammer Action keyboard that also has been improved for response when playing rapid repeated notes. The Stage 2 SW73 features a 73-note Semi Weighted Waterfall keyboard. At Nord we also do something that nobody else does: during the assembly of each instrument in our Stockholm factory, every keybed is individually and specifically tuned for a consistent response and balance.
No sound is complete without the proper use of effects. In the Nord Stage 2 we incorporated all the effects required to cover musicians’ needs. All of the three instrument sections - Organ, Piano and Synth - can be routed individually through the Stage 2’s built-in effect units. Turning the effects on and off, and controlling the routing is easily done by a touch of dedicated buttons, readily accessible at the bottom of each effects unit.
The new Master Clock function makes it easy to sync effects to other elements, like the arpeggiator, LFO or even one of the other effects. You can easily lock the effect rate to a range of note values – make the delay do quarter note triplets of what arpeggiator is playing, while the LFO gently sweeps the filter up and down in half notes, all perfectly interlocked. The Master Clock can also be controlled by an external MIDI clock – perfect for syncing your parts to a backing track, including tempo changes!
Here you can choose from Tremolo, two Wahs, an Auto-Wah, and an AutoPan. Use the AutoWah with a Clavinet for raw funk licks, create a psychedelic vibe with an Electric Piano on AutoPan, or give a Wurlitzer some body using the Tremolo. There is also a Ring Modulator on board, an effect used by many experimental and electronic musicians.
The two Phasers, two Choruses, the Flanger and new Vibe effect are modeled from the classic analog stomp boxes that define the sound of popular music. These swirling Phasers, metallic Flangers, and thick Choruses that are used by uncompromising professionals everywhere are crystal clear and faithfully simulated on the Nord Stage 2.
A delay unit has been included to create haunting echoes or slap back effects. The delay also supports a ping-pong mode, and the tempo can easily be adjusted with the tap-tempo button, or synced to the master clock. The delay also has an Analog mode for creating those classic “warped” sounds when changing the delay rate on repeats.
Amp Simulation & Equalizer
This effect section combines a three-band equalizer with a sophisticated amplifier and speaker cabinet modeler. Classic amplifiers and speakers are a crucial part to make vintage Electric piano sounds come alive. Nord offers the famous sounds of speaker simulations of a Twin Reverb, a Jazz Chorus 120 and a Wurlitzer speaker. When no Amp Model is selected, the unit provides a neutral three-band EQ with sweepable mid and a crunchy overdrive.
The new improved Rotary Speaker simulation, which not only brings an essential character to a live organ performance, can also be used with any of the electric or acoustic piano sounds and the synthesizer.
A Compressor and a Reverb are placed at the end of the sound chain, to help you blend your sounds more naturally together. The Reverb unit has six different Hall, Stage and Room spaces to create different atmospheres for your sounds, while the Compressor helps you keep the overall mix tight and under control.